Although these two functions are not operating along a clear-cut divide, they sometimes run opposite to each other. They have a use value–for readers– and an exchange value for collectors. One Piece from JBE Books PRĬomics are dual objects. ONEPIECE initiates a "computational turn" in comics contributing to the formation of new areas of practice, expanding the ever-growing artistic toolbox allowing artists to think comics in different scales and temporalities. Ilan Manouach's ONEPIECE proposes to shift the understanding of digital comics from a qualitative examination of the formal possibilities of digital comics to a quantitative reappraisal of "comics as Big Data". The profusion of available online content and the rampant digitization of the comics industry, challenges the state-of-the-art of comics craftsmanship. ONEPIECE is a product of this expanded digital production belt. Readers scan, translate and distribute online their favorite manga series. Online participatory culture and the medium's new networked possibilities have intensified the nature of comics beyond the scope of professional, established expertise with new and disruptive forms of entrepreneurial fan culture. One Piece from JBE Books PRĭigital comics are at the pulsating center of a global, entertainment industry. One Piece by Eiichiro Oda and his studio has been serialized in Shueisha's Weekly Shōnen Jump manga magazine since July 1997 and lasted 23 consecutive years, serialized in 102 volumes, with the Guinness World Records for the most copies published for the same comic book series by a single author, with over 516.5 million copies in circulation across 61 countries and regions worldwide. Its pages are 12cm x 18.5cm x 80 cm, it is 16.5kg in weight and have been sold (it is now sold out) for $1900 each, plus shipping. In comparison that is four complete Cerebus or Savage Dragons.
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